Stop in the Middle to Move Forward: how stopping before you’re done ensures future writing session success

A few weeks ago, I wrote about how fiction writers can bust through bad writing sessions in order to be more productive. But there’s more to be said on the subject, and as long as there are writers sighing at blank screens, there will be more work to do to help them conquer that blinking cursor.

So this week, I’m continuing the conversation, sharing my favorite strategy for making sure my writing sessions are productive each and every time.

A Frustrating Writing Problem

Picture this.

It’s Monday evening and you’re at the end of your scheduled two hours of nightly writing time. Neatly, you’re also at the end of the chapter you’ve been working on. Right as the clock runs out, you type the last word and hit save, reveling in how great it feels to be able to stop at such a nice, neat place in your novel.

The next day, at the beginning of your scheduled two hours, you sit down to start the next chapter only to find that the words won’t come. You don’t know how to begin. So, sighing, you go backward, reading over the work from the day before to get your bearings, to get in the groove. Of course you find yourself fixing sentences here and there as you read, but finally you’re done reading (and rewriting) and you’re ready to cover some serious ground on the new chapter like you had originally planned. You look at the clock as you place fingers to keys, and … realize that you have less than an hour left to write.

Damn.

I don’t know about you, but this scenario plays out more often than not at my writing desk. I’ve tried chapter outlining and mission statements to keep me moving along, but these strategies don’t seem to work. They don’t address my problem.

What is my problem?

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My problem seems to be stopping my day’s writing work at logical endpoints. By logical endpoints, I mean the end of chapters, scenes, sections, and conversations. Stopping at these logical stopping points seems tidy, but it actually kills my momentum so that, when I start writing the next day, I have to work really hard to get the words and ideas flowing.

So, while outlines and mission statements don’t help me fix this issue, I’ve found something that does.

Stop in the Middle

If stopping in logical stopping places, tidy “endpoints” in the text, kills your inspiration, as it does mine, then I suggest that you stop writing in medias res.

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The term in medias res is used to describe the strategy of beginning a novel or short story “in the middle of things.” But I use it differently. I’ve found that if I stop writing in medias res–in the middle of chapters, scenes, sections, or conversations–I’m better able to begin writing the next day. 

If I know how I’m going to finish that chapter, I stop anyway. If I know where the conversation is going and I know the perfect words to get me there, I stop anyway. If I’m at the end of a chapter, I write two paragraphs into the next, and stop there.

I always stop in the middle.

You may be thinking, that’s crazy! But I think of it as the writer’s version of that old improv trick, “yes, and …” By saying “yes,” the actor complies with what is happening on the stage, going with the flow. By saying “and,” the actor is opening up the scene to new additions, to possibility.

I do the same thing when I stop in the middle of a scene, chapter, or conversation. I stop writing after the “and,” leaving the action, dialogue, and narrative development open.

The next day, when I begin writing where I left off the day before, the momentum is there, the words are ready and waiting, and I can continue writing more easily than if I had to start writing with a new chapter, new scene, or new section.

Then, when I venture into new territory–new chapters, new scenes, new conversations–I’m not starting with a blank page and brain. I’ve got speed built up to make the leap from previous content, action, and development, to the much-more-difficult-to-write new stuff.

Try It Out!

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If you use this strategy, your writing schedule might look something like this!

So, dear writers, if you have problems starting, and if these problems keep you from doing your job (which is to write the book, after all!) then try doing what I do.

Don’t stop writing at a tidy, logical stopping place. You’ll only stop at a wall and then have to figure out how to get over or around it… or how to blow it up.

Instead, stop in medias res, in the middle of a chapter, scene, or section. Leave a door open, construct a bridge, build a gateway, and stop writing in the middle. Then, the next time you start writing, all you have to do is walk right through.

Did you find this strategy useful? Get access to my other writing tips and tricks by signing up for my mailing list.

3 thoughts on “Stop in the Middle to Move Forward: how stopping before you’re done ensures future writing session success

  1. I often find that if I end my writing session in the middle of a scene that it’s hard for me to pick the mood back up again. Having a writing playlist helps sometimes but I find I lose interest in a scene if I don’t ride out the wave of emotion to it’s end. Does that make me a “mood writer?” What an interesting discovery. Never thought about this particular quirk before. I foresee that changes will have to be made moving forward because this will not do. Thank you for the pique! 😀

    Liked by 1 person

    1. Jessica, hi! I don’t think it’s a problem at all! What’s important is that you know what works for you to keep you writing and get you writing successfully and consistently. If it’s staying in the groove until an emotion is completed, then do that! In my writing coaching I always make sure that authors are aware of their individual writing processes so that they can implement the strategies that work best for them! It sounds like you’re doing this for yourself– that’s great!

      Liked by 1 person

      1. Writing has been instinctual for me for so long. I just do it. But I find that the more I want to write professionally, the more I need to pay attention to my processes like you said. Find my strengths and weaknesses so I can work them to the best of my ability. Part of the whole part and parcel of being an author eh? What an exciting journey we take!

        Liked by 1 person

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